Rossini’s reason for turning again to a major choral work after years of near-total silence was probably a commission from Count Alexis Pillet-Will for his wife, to whom the work is dedicated, and at whose house the first performance took place. This may also explain the relatively modest forces employed (12 singers, 2 pianos, and harmonium). Rossini later produced an orchestral version and added the soprano solo O salutaris hostia. The version given on Saturday was for piano, harmonium, and full choir.

Of Saturday’s performance, the first thing to note is the sheer joy which seemed to radiate from all the performers of this extraordinary music. The four soloists were all top class and well suited to the “operatic” nature of some of the solo writing – hardly surprising given Rossini’s pedigree. Tenor Daniel Joy performed the first solo item Domine Deus magnificently, and the soprano/mezzo duet Qui Tollis was ravishingly given by Katherine Crompton and Kate Symonds-Joy. Bass Edward Grint sang his solo Quoniam with great power and subtlety, and the two soprano solos were sung with a combination of delicacy and power by Katherine Crompton.  Main honours, though, go to the choir, who sang throughout with enormous gusto, their enjoyment of the piece very evident, their intonation was impeccable and the words clearly enunciated.

The very demanding piano part was a tour-de-force for Sue Graham Smith, its massive fortissimo chords, more reminiscent of Brahms or Rachmaninov than Rossini, require a depth and power which must be very taxing in a work of this length. Anne Page gave a virtuoso performance on the harmonium, and added two short but very challenging pieces after the interval to demonstrate the qualities of that now rarely-heard instrument.

Maestro Derek Harrison’s tempi are always well judged, and allow his singers time to breath. He celebrates 40 years with HCS this year, and may he continue for many more.

Rossini wrote on the work’s final page that he didn’t know whether the music was “sacred or sacrilegious”. Whatever the verdict on that, heavenly it undoubtedly is. A wonderful concert and an evening full of joy.

Gordon Williams

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Come and sing with HCS from September

We will start rehearsing on Tuesday 3rd September, and then every Tuesday at Sele School, Hertford, SG14 2DG for the first concert of our 2019-20 season. It is on Saturday 2nd November 2019 when we will be performing Schubert's Mass in A Flat together with Chilcott's Dances of Time.

New members are very welcome to join, whatever your level of experience. You have the opportunity to join Taster Rehearsals free and, if you decide you would like to sing with us, you can do so for a term for a Taster Fee of £20, including music. HCS is a non-auditioned choir, you can find out more about a typical rehearsal here. If you are interested in coming along and singing with HCS, please contact our Membership Secretary, Trish Goldsmith, on 01992 589730 or at This email address is being protected from spambots. You need JavaScript enabled to view it.   Don’t hesitate to ask any question at all.

We look forward to welcoming you to HCS! Click here for more news from Hertford Choral Society.

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